SCISSOR: Score-Conditioned Instrument Source Separation for Orchestral Recordings

arXiv:2609.33265 · cs.SD, cs.AI, eess.AS · Submitted 2026-09-27 · Read on arXiv

cs.SD, cs.AI, eess.AS

Submitted: 2026-09-27

Updated: 2026-09-27

Comments: 5 pages, 1 figure, 3 tables. Submitted to ICASSP 2027

License: http://arxiv.org/licenses/nonexclusive-distrib/1.0/

Terminology

• Embeddings — 3× in this paper · explained in 2 episodes
• Transformer — 2× in this paper · explained in 2 episodes
• Generalization — 1× in this paper · explained in 13 episodes
• International Society for Music Information Retrieval Conference — 1× in this paper
• Robustness — 1× in this paper · explained in 5 episodes
• Sparsity — 1× in this paper · explained in 4 episodes
• Zero-Shot Transfer — 1× in this paper · explained in 3 episodes

Sources

• SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation
• Hybrid Transformers for Music Source Separation
• Score-informed Music Source Separation: Improving Synthetic-to-real Generalization in Classical Music
• Creating A Multi-track Classical Musical Performance Dataset for Multimodal Music Analysis: Challenges, Insights, and Applications

Related papers

• Few-Shot Open-Set Audio Classification via Transductive Prototype Refinement and Class Logit Enhancement
• Spectral Masking and Interpolation Attack (SMIA): A Black-box Adversarial Attack against Voice Authentication and Anti-Spoofing Systems
• Remix the Timbre: Diffusion-Based Style Transfer Across Polyphonic Stems
• AVMeme Exam: A Multimodal Multilingual Multicultural Benchmark for LLMs' Contextual and Cultural Knowledge and Thinking
• SoundWeaver: Compositional Warm-Starting for Text-to-Audio Diffusion Serving
• WASIL: In-the-Wild Arabic Spoken Interactions with LLMs