An investigation of AI integration in sound designer workflows and experiences

arXiv:2605.27174 · cs.SD, cs.AI, cs.CY · Submitted 2026-05-26 · Read on arXiv

cs.SD, cs.AI, cs.CY

Submitted: 2026-05-26

Updated: 2026-05-26

Journal ref: Proc. AVARIG 2026: Audio for Virtual and Augmented Reality and Immersive Games, Audio Engineering Society, Paper 497, June 2026

License: http://creativecommons.org/licenses/by-sa/4.0/

The gist: Artificial intelligence is increasingly being integrated into professional audio production workflows, yet a gap persists between the tools developers produce and the requirements of practising sound

Abstract

Artificial intelligence is increasingly being integrated into professional audio production workflows, yet a gap persists between the tools developers produce and the requirements of practising sound designers. This paper investigates this gap through a mixed-methods study comprising a survey of 76 practitioners and follow-up semi-structured interviews with 20 industry professionals. Results were analysed using descriptive statistical analysis and thematic analysis to identify patterns across both datasets. Five themes emerged from our analysis: Context, Workflow, Potential, Risks, and Right Use. Our work indicates that current AI tools perform adequately in fast-consumption media contexts but lack the narrative sophistication required for high-end sound design (films, immersive experiences etc). Practitioners demonstrate a preference for assistive, task-specific applications, particularly in audio restoration and library management, over end-to-end generative systems. This work contributes to the on-going discussion on the use of AI and AI-enhanced tools in the creative industries. We report on the current status of the field from the point of view of sound designers and creative audio practitioners, and offer a set of recommendation for sound technologist and developers based on our findings to guide the development of more informed AI tools for sound design.

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